Crystalline Glazes - Bjarne Nielsen
                             
                         
                                       

In Europe crystalline glazes used on porcelain were developed in Sevres and Copenhagen in the mid-19th century. They became particularly popular during the period of Art Nouveau. These glazes, which have a high content of zinc oxide and a low content of aluminium oxide, become oversaturated in the course of cooling and thus gradually crystallize. Crystals up to 10 centimetres can develop in attractive, two-dimensional shapes. The different phases of crystallization result in varying shapes and colours.

To add colour to crystalline glazes metal oxides - cobalt, iron, copper, nickel, chrome, etc- are used. Glazing and glost firing require particular attention and great expertise as a number of requirements need to be met at the same time, if a good result is to be achieved. Crystalline glazes are therefore among the glazes most difficult to control.

I have been a potter/ceramist in Norway for forty years. Now and then I have experimented with zinc-silicate macrocrystalline glazes. The latest ten years I also have tried to make zinc-barium matt crystalline glazes. The silky touch of these glazes is very important to me.

All my pots are handthrown in porcelain and fired to
1275 degree Celcius.
The use of crystal glazing is a technique that requires enormous skill. The glazing can only be used on porcelain and is limited to certain classic shapes.